Necessary cookies are absolutely essential for the website to function properly. It should be noted, by the way, that Negi Harubaauthor of Gotoubun no Hanayomefound out about the comedy number and dedicated an illustration to the group, drawing Yotsuba not as the dakimakura, but as the true fifth member. Definitely a pretty stereotypical portrayal of Japanese otaku, although there may still be a few like that in the world. He introduces Yotsuba as his daughter, Cecilia as his mother, and Kiriki as another of his daughters. The most interesting, however, is the way in which the subject introduces all the girls. Having introduced everyone, their time runs out and they can no longer present their act. Kirika Akatsuki of Senki Zesshou Symphogear G. After another argument, they are about to re-introduce themselves as a group of six, but the same guy opens his shirt to reveal a T-shirt. When they apparently reach an agreement and are about to present themselves again, the same subject announces the arrival of a new member: Cecilia Alcott of the franchise Infinite Stratos, in the form of a wallpaper. From there, the one who would be the leader presents them as “a group of four”, being immediately interrupted by the one holding Yotsuba, pointing her out as the fifth member of her. The four enter and one of them is holding a dakimakura of Yotsuba Nakano of Gotoubun no Hanayome ( The Quintessential Quintuplets). The four subjects are dressed as the traditional otaku of the manga and anime culture in Japan., which consists of a plaid shirt, glasses and a pair of blue jeans. The group of four people performed a number on stage that never really starts, since they never stop performing. It is currently the most prestigious manzai competition in all of Japan, with the “manzai” referring to the stand-up comedy style of Japanese culture.īut leaving this aside, it turns out that in this year’s edition a number starring a creative group called “ ワールドヲーター ( World Woter)”. In Japan there is M-1 Grand Prixan annual manzai competition organized by Shimada Shinsuke and produced by Yoshimoto Kōgyōin collaboration with the television Asahi Broadcasting Corporation.

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